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Recent Posts:
- The Philosophy of Film and Beyond in Ten Titles
- The Quiet Before: On the Unexpected Origins of Radical Ideas
- Farm and Red Moon Screening Invitation
- The NFT: Artist’s friend or financial folly?
- A brief note on note-taking
- First Amendment v. Copyright
- A one-case lighting kit ready for travel [2021 Update]
- bookartbookshop is now screening online at the Newburyport Documentary Festival
- Notes on cinematic metaphor
- Got a good windshield in your kit?
- A conversation with Tiffany and James / Eleven Films
- Video conferencing options for teachers during the pandemic
- Immersive Media Bibliography is now available
- Ten spatial media storytelling works that stand out for me
- Notes on the Artist Manifesto
- Perspectives on narrative in real and virtual spaces
- Remembering Door Into the Dark
- Narrative and the Social Construction of Reality: An evolving annotated bibliography
- Notes on smartphone documentary moviemaking
- At Home with Monsters
- Notes on the 2017 Sheffield Doc/Fest Alternative Realities Exhibition
- The Trouble with Reality
- Some notes on binaural recordings
- The Pearl Button
- Steadicam Volt: An intriguing smartphone stabilizer
- The Panasonic Lumix GH5 is a worthy successor to the GH4
- Sophia Al-Maria: Black Friday
- My Sling Bag Video Production Kit
- Sheffield Doc/Fest 2016: SEED: The Untold Story
- Sheffield Doc/Fest 2016: Arrival in Sheffield
- Dangerous Documentaries: Reducing Risk when Telling Truth to Power
- Two entry-level, versatile, compact, sound recording kits for your consideration
- Release forms for documentary productions
- The seven presentation design habits of great presenters
- A conversation with Elaine McMillion Sheldon about Hollow
- Is Final Cut Pro X finally ready to be viable replacement for Final Cut Pro Classic?
- Is the Audio-Technica BP4029 the perfect cinéma-vérite microphone?
- Four approaches to structuring micro-documentaries
- Some quotes on documentary, cinema, and art that don’t fit in a tweet
- Twelve essential documentary shooting guidelines
- Smartphone Movie-Making Workshop Follow-up
- 10 reasons why making documentaries is better than making fiction films
- New Forms / New Opportunities Panel (Sarah Wolozin & Natasha Giraudie)
- Reflections on Paul Sharits frozen film frames
- Smartphone Shorts (follow-up notes)
- Seven videos shot with an iPhone
- The Hatchback Production Kit
- The 2013 Summer Documentary Film School at MassArt
- Maria Agui Carter talks about Rebel, a documentary about Loreta Velazquez
- Documentaries screening this weekend at IFFBoston
- Join me for Making Media Now 2013 in Boston, May 3, 2013
- Kevin Sweet Intervals Series in the Brant Gallery through April 21, 2013
- Sound for Documentary, Part 2: What is it and why is it so important?
- In 1989, Me and Rubyfruit provided a prescient glimpse into the future of personal video sixteen years before YouTube was launched
- UnknownSpring: web documentary review and interview with photojournalist Jake Price
- Sound for documentary, Part 1: Eight fundamental concepts
- Olloclip expands iPhone field of view
- iPhone camera support accessories
- FiLMiC Pro transforms iPhone into sweet and respectable video camera
- Basic Documentary Video Starter Kit (consumer level gear)
- Principles of Interaction Design for Interactive Documentary Makers
- Three tools for developing iOS apps
- Making Media Now 2012: Thriving in a Changing Landscape
- Documentary marathon at 2012 Independent Film Festival of Boston
- Earth Day 2012 Double Feature: The Garden & Ingredients
- Imagine a world without free knowledge
- Whitney Dow: When the Drum is Beating
- Chris Paine: Revenge of the Electric Car
- Researching Macro Trends
- Seven Macro Trends (RioSeminars 2011 Presentation)
- Final Cut Pro X: My first impressions
- Ten glimpses into the crystal ball: the future of documentary
- Making Media Now 2011: Redefining collaboration in a fractured media world
- Summer Documentary Film School at MassArt
- Installation: Reflective Space
- Fluid Screens, Expanded Cinema
- Cartographies of Time
- A framework for thinking about cyberspace
- Spaces Speak, Are you listening?
- Cinema will eventually become a flexible means of writing
- provocative.objects: the extradition (Fri., Nov. 12, 2010)
- Distribution U. crash course on Crowd Funding, Audience Building & Distribution
- Making Media Now 2010
- Digital imaging throws documentary into ontological crisis
- Expanded Cinema: Still fresh after forty years
- Memory and the end of reality
- 2010 Bumpkin Island Art Encampment
- Four under $300 audio recorders for double-system sound
- MassArt’s Summer Film School, 2010
- Thoughts on video on the web and HTML5
- Pearls of wisdom
- Marina Abramovic: The Artist Is Present
- Fragments from The Conversation 2010 (March 27, New York)
- Sennheiser Evolution G3 100 Series
- The 2010 DeCordova Biennial
- The Cambridge Introduction to Narrative
- 20th Annual Pro Video Show
- Transcriva 2
- Will the Internet remain in the hands of the people?
- A one-case lighting kit ready for travel
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