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	<title>Comments for Kino-Eye.com</title>
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	<link>http://kino-eye.com</link>
	<description>"Everybody who cares for his art, seeks the essence of his own technique." -- Dziga Vertov (1922)</description>
	<lastBuildDate>Fri, 05 Mar 2010 11:42:38 -0500</lastBuildDate>
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		<title>Comment on Comparison of four professional LED lighting instruments under $1K by matt</title>
		<link>http://kino-eye.com/2009/07/19/four-professional-led-lighting-instruments/comment-page-1/#comment-247507</link>
		<dc:creator>matt</dc:creator>
		<pubDate>Fri, 05 Mar 2010 11:42:38 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/2009/07/19/four-professional-led-lighting-instruments/#comment-247507</guid>
		<description>I&#039;ve worked with zylite, rosco lite pads, colortran theatrical and lite-panels lights. I also have built my own custom kit of LEDs that allow me to do quick tape up and super-flat light weight lighting. First and foremost is the issue of color correct. LEDs are by nature a non-color correct source because they must convert green spectrum LED light to white light by illuminating a phosphor coating on the diode. The chemistry required for correct bulbs is either &quot;chance&quot; (pick the ones that look OK throw away the rest) or expensive process control ($6 per bulb bulk Rebel Luxeon from Philips).

There are a lot of tweaks being done to correct the &quot;purple haze&quot; or &quot;green funk&quot; from LED&#039;s but the lights do not have correct colorspace conformity to meet the increasing sensitivity of HD and large sensor formats. The color dimensions are untrue along lines that our color correct system (magenta/green) do no reflect. It is subtle stuff until the light is cold or just not good (Lite Panels are the worst). I&#039;ve talked to Philips and Osram and they are engineering lights for architectural uses that will meet film criteria eventually. 

If you are not seeing lighting variations, or haven&#039;t noticed how pink Diva lights are, or haven&#039;t mixed 3 sources in a shot and found each one off in a different direction then none of this matters because you are not shooting something that anyone cares how it looks or you are color blind. PS your meter will not accurately reflect an LED&#039;s color value because it is not a spike green or pink like a fluoro.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve worked with zylite, rosco lite pads, colortran theatrical and lite-panels lights. I also have built my own custom kit of LEDs that allow me to do quick tape up and super-flat light weight lighting. First and foremost is the issue of color correct. LEDs are by nature a non-color correct source because they must convert green spectrum LED light to white light by illuminating a phosphor coating on the diode. The chemistry required for correct bulbs is either &#8220;chance&#8221; (pick the ones that look OK throw away the rest) or expensive process control ($6 per bulb bulk Rebel Luxeon from Philips).</p>
<p>There are a lot of tweaks being done to correct the &#8220;purple haze&#8221; or &#8220;green funk&#8221; from LED&#8217;s but the lights do not have correct colorspace conformity to meet the increasing sensitivity of HD and large sensor formats. The color dimensions are untrue along lines that our color correct system (magenta/green) do no reflect. It is subtle stuff until the light is cold or just not good (Lite Panels are the worst). I&#8217;ve talked to Philips and Osram and they are engineering lights for architectural uses that will meet film criteria eventually. </p>
<p>If you are not seeing lighting variations, or haven&#8217;t noticed how pink Diva lights are, or haven&#8217;t mixed 3 sources in a shot and found each one off in a different direction then none of this matters because you are not shooting something that anyone cares how it looks or you are color blind. PS your meter will not accurately reflect an LED&#8217;s color value because it is not a spike green or pink like a fluoro.</p>
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		<title>Comment on Sennheiser Evolution G3 100 Series by James</title>
		<link>http://kino-eye.com/2010/02/18/sennheiser-evolution-g3-100/comment-page-1/#comment-247098</link>
		<dc:creator>James</dc:creator>
		<pubDate>Thu, 25 Feb 2010 17:22:38 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=864#comment-247098</guid>
		<description>Great post... I have a set of senheiser mics (for another purposes) but they&#039;re great and really affordable.</description>
		<content:encoded><![CDATA[<p>Great post&#8230; I have a set of senheiser mics (for another purposes) but they&#8217;re great and really affordable.</p>
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		<title>Comment on Sennheiser Evolution G3 100 Series by David Tames</title>
		<link>http://kino-eye.com/2010/02/18/sennheiser-evolution-g3-100/comment-page-1/#comment-246939</link>
		<dc:creator>David Tames</dc:creator>
		<pubDate>Mon, 22 Feb 2010 11:54:20 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=864#comment-246939</guid>
		<description>John, I did not know you were also a Sennheiser dealer, I have fixed the omission.</description>
		<content:encoded><![CDATA[<p>John, I did not know you were also a Sennheiser dealer, I have fixed the omission.</p>
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		<title>Comment on Sennheiser Evolution G3 100 Series by John Rule</title>
		<link>http://kino-eye.com/2010/02/18/sennheiser-evolution-g3-100/comment-page-1/#comment-246927</link>
		<dc:creator>John Rule</dc:creator>
		<pubDate>Mon, 22 Feb 2010 03:34:23 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=864#comment-246927</guid>
		<description>David, I am proud to say that Rule Boston Camera is also a Sennheiser dealer and would be happy to help with your purchase!</description>
		<content:encoded><![CDATA[<p>David, I am proud to say that Rule Boston Camera is also a Sennheiser dealer and would be happy to help with your purchase!</p>
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		<title>Comment on Sennheiser Evolution G3 100 Series by David Tames</title>
		<link>http://kino-eye.com/2010/02/18/sennheiser-evolution-g3-100/comment-page-1/#comment-246834</link>
		<dc:creator>David Tames</dc:creator>
		<pubDate>Fri, 19 Feb 2010 15:39:42 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=864#comment-246834</guid>
		<description>Larry, I would not consider dumping the G2 series for a G3. While the G3 claims improved performance, I don&#039;t think the difference is enough to justify the upgrade for that reason alone. Basically the G3 receivers have been improved with a diversity design,but you&#039;ll not notice a night and day difference between the G2 and G3, you will notice a slight difference in extreme conditions. The G2 series are solid performers and I think you should hold on to them. The only reason I&#039;m upgrading from G2 to G3 is that since the G2s were on loan, I have no choice.</description>
		<content:encoded><![CDATA[<p>Larry, I would not consider dumping the G2 series for a G3. While the G3 claims improved performance, I don&#8217;t think the difference is enough to justify the upgrade for that reason alone. Basically the G3 receivers have been improved with a diversity design,but you&#8217;ll not notice a night and day difference between the G2 and G3, you will notice a slight difference in extreme conditions. The G2 series are solid performers and I think you should hold on to them. The only reason I&#8217;m upgrading from G2 to G3 is that since the G2s were on loan, I have no choice.</p>
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		<title>Comment on Sennheiser Evolution G3 100 Series by Larry Lawfer</title>
		<link>http://kino-eye.com/2010/02/18/sennheiser-evolution-g3-100/comment-page-1/#comment-246832</link>
		<dc:creator>Larry Lawfer</dc:creator>
		<pubDate>Fri, 19 Feb 2010 15:11:54 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=864#comment-246832</guid>
		<description>I love the Sennheiser series mic&#039;s.  Now I want to dump my G2 series for a G3.  Know the performance is better, now I have to figure out if I can afford the price.</description>
		<content:encoded><![CDATA[<p>I love the Sennheiser series mic&#8217;s.  Now I want to dump my G2 series for a G3.  Know the performance is better, now I have to figure out if I can afford the price.</p>
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		<title>Comment on Suggested DVX100 settings and information links by David Tames</title>
		<link>http://kino-eye.com/2005/02/16/dvx100settings/comment-page-1/#comment-246422</link>
		<dc:creator>David Tames</dc:creator>
		<pubDate>Fri, 12 Feb 2010 16:38:11 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/2005/02/16/dvx100settings/#comment-246422</guid>
		<description>Tim, The DVX100b is by far the best Standard Definition camera out there, however, these days, if you can swing the budget, I&#039;d suggest shooting HD if you can, for an HDV camera the Sony V1U is a good economical option (with XLR audio inputs) but you&#039;ll get a better picture and audio with something like the Panasonic HPX170 or HVX200 or later models which are the successors to the DVX100b. 

These days I&#039;d suggest shooting 16x9 when you can, but you crop the 4:3 of the DVX if you need to to get 16:9. Always shoot PROGRESSIVE and definitely real 30p or 24p (advanced) if you can with the vertical detail set to thin for the sharpest image possible. This way the DVX gives you SD images that scale up to HD better than most SD cameras.

Hope that helps,

David.</description>
		<content:encoded><![CDATA[<p>Tim, The DVX100b is by far the best Standard Definition camera out there, however, these days, if you can swing the budget, I&#8217;d suggest shooting HD if you can, for an HDV camera the Sony V1U is a good economical option (with XLR audio inputs) but you&#8217;ll get a better picture and audio with something like the Panasonic HPX170 or HVX200 or later models which are the successors to the DVX100b. </p>
<p>These days I&#8217;d suggest shooting 16&#215;9 when you can, but you crop the 4:3 of the DVX if you need to to get 16:9. Always shoot PROGRESSIVE and definitely real 30p or 24p (advanced) if you can with the vertical detail set to thin for the sharpest image possible. This way the DVX gives you SD images that scale up to HD better than most SD cameras.</p>
<p>Hope that helps,</p>
<p>David.</p>
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		<title>Comment on 20th Annual Pro Video Show by Gonzalo</title>
		<link>http://kino-eye.com/2010/02/07/20th-pro-video-show/comment-page-1/#comment-246279</link>
		<dc:creator>Gonzalo</dc:creator>
		<pubDate>Tue, 09 Feb 2010 15:24:19 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=806#comment-246279</guid>
		<description>This equipment sounds terrific, is there any video showing its results?
thank you</description>
		<content:encoded><![CDATA[<p>This equipment sounds terrific, is there any video showing its results?<br />
thank you</p>
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		<title>Comment on 20th Annual Pro Video Show by Larry Lawfer</title>
		<link>http://kino-eye.com/2010/02/07/20th-pro-video-show/comment-page-1/#comment-246241</link>
		<dc:creator>Larry Lawfer</dc:creator>
		<pubDate>Mon, 08 Feb 2010 20:22:41 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=806#comment-246241</guid>
		<description>I would love to upgrade some of my gear and this local event is a place to start.  I purchased all my original equipment from The Camera Company</description>
		<content:encoded><![CDATA[<p>I would love to upgrade some of my gear and this local event is a place to start.  I purchased all my original equipment from The Camera Company</p>
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		<title>Comment on Suggested DVX100 settings and information links by firefighter Tim Andrew</title>
		<link>http://kino-eye.com/2005/02/16/dvx100settings/comment-page-1/#comment-245912</link>
		<dc:creator>firefighter Tim Andrew</dc:creator>
		<pubDate>Wed, 03 Feb 2010 16:46:35 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/2005/02/16/dvx100settings/#comment-245912</guid>
		<description>Filmed my last movie was filmed in 4.3 w/ a sony pd150. You can watch it in 10 parts on youtube;  timandrew1

    ...anyways, my camera was lost at film school, thanks to my son. I am looking at the DVX 100. I like mini DV. So, here are the questions, even after I read your article. Our next movie will also go to festivals, hoping for a movie release. this movie is a scary film. 

1. I read that standard &amp; advance have their advantages. I still am up in the air.
2. How important is HD for this?
3. 16.9 seems to be important for distributing, no? but then it says 4.3, and a studio can stretch it to 16.9. I&#039;m told stretching is no good.
4. 24p is important also, no?

thank you,

firefighter tim andrew
naugatuck, ct                    [EMAIL AND PHONE HIDDEN]

please email me, it&#039;s best.</description>
		<content:encoded><![CDATA[<p>Filmed my last movie was filmed in 4.3 w/ a sony pd150. You can watch it in 10 parts on youtube;  timandrew1</p>
<p>    &#8230;anyways, my camera was lost at film school, thanks to my son. I am looking at the DVX 100. I like mini DV. So, here are the questions, even after I read your article. Our next movie will also go to festivals, hoping for a movie release. this movie is a scary film. </p>
<p>1. I read that standard &amp; advance have their advantages. I still am up in the air.<br />
2. How important is HD for this?<br />
3. 16.9 seems to be important for distributing, no? but then it says 4.3, and a studio can stretch it to 16.9. I&#8217;m told stretching is no good.<br />
4. 24p is important also, no?</p>
<p>thank you,</p>
<p>firefighter tim andrew<br />
naugatuck, ct                    [EMAIL AND PHONE HIDDEN]</p>
<p>please email me, it&#8217;s best.</p>
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		<title>Comment on Sixty-seven excellent documentaries available through Netflix by norm</title>
		<link>http://kino-eye.com/2009/08/28/67-docs-netflix/comment-page-1/#comment-245815</link>
		<dc:creator>norm</dc:creator>
		<pubDate>Tue, 02 Feb 2010 12:31:29 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/2009/08/28/57-docs-netflix/#comment-245815</guid>
		<description>The great Joel DeMott documentary &quot;Seventeen&quot; is not, in fact, available at Netflix. The film was never released on DVD, unfortunately.</description>
		<content:encoded><![CDATA[<p>The great Joel DeMott documentary &#8220;Seventeen&#8221; is not, in fact, available at Netflix. The film was never released on DVD, unfortunately.</p>
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		<title>Comment on Notables of the Noughties: 35 documentary films, 2000-2009 by Parker Digital Imaging &#187; Archive &#187; &#8220;Herskovits&#8221; Named One of the Best of the Decade</title>
		<link>http://kino-eye.com/2010/01/04/notables-of-the-noughties/comment-page-1/#comment-245551</link>
		<dc:creator>Parker Digital Imaging &#187; Archive &#187; &#8220;Herskovits&#8221; Named One of the Best of the Decade</dc:creator>
		<pubDate>Fri, 29 Jan 2010 12:22:51 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=716#comment-245551</guid>
		<description>[...] Documentary at the Hollywood Black Film Festival, Herskovits at the Heart of Blackness has been named one of the top 35 movies of the last decade by David Tames of the New-England, documentary-friendly Kino-Eye [...]</description>
		<content:encoded><![CDATA[<p>[...] Documentary at the Hollywood Black Film Festival, Herskovits at the Heart of Blackness has been named one of the top 35 movies of the last decade by David Tames of the New-England, documentary-friendly Kino-Eye [...]</p>
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		<title>Comment on A one-case lighting kit ready for travel by Lightweight lighting kit comes recommended : DocumentaryTech</title>
		<link>http://kino-eye.com/2010/01/08/one-case-lighting-kit/comment-page-1/#comment-245439</link>
		<dc:creator>Lightweight lighting kit comes recommended : DocumentaryTech</dc:creator>
		<pubDate>Wed, 27 Jan 2010 11:25:25 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=735#comment-245439</guid>
		<description>[...] lighting kit, and often a fourth added in to light background. Our friend David at Kino-Eye details a lightweight lighting kit that can be pulled on a cart, doesn&#8217;t blow fuses, and gets the job [...]</description>
		<content:encoded><![CDATA[<p>[...] lighting kit, and often a fourth added in to light background. Our friend David at Kino-Eye details a lightweight lighting kit that can be pulled on a cart, doesn&#8217;t blow fuses, and gets the job [...]</p>
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		<title>Comment on A one-case lighting kit ready for travel by James</title>
		<link>http://kino-eye.com/2010/01/08/one-case-lighting-kit/comment-page-1/#comment-245409</link>
		<dc:creator>James</dc:creator>
		<pubDate>Tue, 26 Jan 2010 16:27:48 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=735#comment-245409</guid>
		<description>Great piece of advice. I&#039;ll take a closer look at that list of items.</description>
		<content:encoded><![CDATA[<p>Great piece of advice. I&#8217;ll take a closer look at that list of items.</p>
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		<title>Comment on A one-case lighting kit ready for travel by dvdduplication</title>
		<link>http://kino-eye.com/2010/01/08/one-case-lighting-kit/comment-page-1/#comment-245355</link>
		<dc:creator>dvdduplication</dc:creator>
		<pubDate>Mon, 25 Jan 2010 21:16:51 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=735#comment-245355</guid>
		<description>That&#039;s a nice kit! 
How do you guys show your movies to people ?</description>
		<content:encoded><![CDATA[<p>That&#8217;s a nice kit!<br />
How do you guys show your movies to people ?</p>
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		<title>Comment on Will the Internet remain in the hands of the people? by David Tames</title>
		<link>http://kino-eye.com/2010/01/13/fcc-comments/comment-page-1/#comment-245038</link>
		<dc:creator>David Tames</dc:creator>
		<pubDate>Mon, 18 Jan 2010 16:11:28 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=767#comment-245038</guid>
		<description>Rob, thanks for your comment, I&#039;m going to update the post with some EFF links. Thanks again.</description>
		<content:encoded><![CDATA[<p>Rob, thanks for your comment, I&#8217;m going to update the post with some EFF links. Thanks again.</p>
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		<title>Comment on Transcriva 2 by RobShaver</title>
		<link>http://kino-eye.com/2010/01/13/transcriva-2/comment-page-1/#comment-245036</link>
		<dc:creator>RobShaver</dc:creator>
		<pubDate>Mon, 18 Jan 2010 15:58:03 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=775#comment-245036</guid>
		<description>Thanks. I&#039;m going to take a look at this.

Have you seen Call Graph? The transcribe audio for $0.50 per minute.
http://callgraph.biz/
I haven&#039;t tried them yet but I intend to. I think all podcasts should have transcripts. I don&#039;t know how many times I&#039;ve wanted to look something up that I heard but just don&#039;t have the time to listen to the whole podcast again.</description>
		<content:encoded><![CDATA[<p>Thanks. I&#8217;m going to take a look at this.</p>
<p>Have you seen Call Graph? The transcribe audio for $0.50 per minute.<br />
<a href="http://callgraph.biz/" rel="nofollow">http://callgraph.biz/</a><br />
I haven&#8217;t tried them yet but I intend to. I think all podcasts should have transcripts. I don&#8217;t know how many times I&#8217;ve wanted to look something up that I heard but just don&#8217;t have the time to listen to the whole podcast again.</p>
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		<title>Comment on Will the Internet remain in the hands of the people? by RobShaver</title>
		<link>http://kino-eye.com/2010/01/13/fcc-comments/comment-page-1/#comment-245034</link>
		<dc:creator>RobShaver</dc:creator>
		<pubDate>Mon, 18 Jan 2010 15:49:42 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=767#comment-245034</guid>
		<description>You may have already seen this, but it was an eye-opener for me.

http://www.realnetneutrality.org/

But is the FCC’s version of Net Neutrality the real deal? Or is it a fake?

Buried in the FCC’s rules is a deeply problematic loophole. Open Internet principles, the FCC writes, “do not… apply to activities such as the unlawful distribution of copyrighted works.”

For years, the entertainment industry has used that innocent-sounding phrase — &quot;unlawful distribution of copyrighted works&quot; — to pressure Internet service providers around the world to act as copyright cops — to surveil the Internet for supposed copyright violations, and then censor or punish the accused users.

From the beginning, a central goal of the Net Neutrality movement has been to prevent corporations from interfering with the Internet in this way — so why does the FCC’s version of Net Neutrality specifically allow them to do so?

Tell the FCC that if it wants to police the Internet, it first needs to demonstrate that it can protect Internet users and innovators by standing up to powerful industry lobbyists. Sign your name here to demand that the copyright-enforcement loophole be removed.</description>
		<content:encoded><![CDATA[<p>You may have already seen this, but it was an eye-opener for me.</p>
<p><a href="http://www.realnetneutrality.org/" rel="nofollow">http://www.realnetneutrality.org/</a></p>
<p>But is the FCC’s version of Net Neutrality the real deal? Or is it a fake?</p>
<p>Buried in the FCC’s rules is a deeply problematic loophole. Open Internet principles, the FCC writes, “do not… apply to activities such as the unlawful distribution of copyrighted works.”</p>
<p>For years, the entertainment industry has used that innocent-sounding phrase — &#8220;unlawful distribution of copyrighted works&#8221; — to pressure Internet service providers around the world to act as copyright cops — to surveil the Internet for supposed copyright violations, and then censor or punish the accused users.</p>
<p>From the beginning, a central goal of the Net Neutrality movement has been to prevent corporations from interfering with the Internet in this way — so why does the FCC’s version of Net Neutrality specifically allow them to do so?</p>
<p>Tell the FCC that if it wants to police the Internet, it first needs to demonstrate that it can protect Internet users and innovators by standing up to powerful industry lobbyists. Sign your name here to demand that the copyright-enforcement loophole be removed.</p>
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		<title>Comment on A one-case lighting kit ready for travel by robin</title>
		<link>http://kino-eye.com/2010/01/08/one-case-lighting-kit/comment-page-1/#comment-244907</link>
		<dc:creator>robin</dc:creator>
		<pubDate>Fri, 15 Jan 2010 14:24:52 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=735#comment-244907</guid>
		<description>how  i find it in india</description>
		<content:encoded><![CDATA[<p>how  i find it in india</p>
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		<title>Comment on Will the Internet remain in the hands of the people? by Larry Lawfer</title>
		<link>http://kino-eye.com/2010/01/13/fcc-comments/comment-page-1/#comment-244801</link>
		<dc:creator>Larry Lawfer</dc:creator>
		<pubDate>Wed, 13 Jan 2010 16:08:41 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=767#comment-244801</guid>
		<description>Thank you for these important links David.  Everyone working in business today should heed these words and take action.  If our net falls into the hands of the conglomerates we loose much of what makes the web so great.  Imagine what tv is and why we all moved to gaining content from the web.  Sure some of it is consumer generated and contains dubious facts, but what about some of our advertising?  Take action today!</description>
		<content:encoded><![CDATA[<p>Thank you for these important links David.  Everyone working in business today should heed these words and take action.  If our net falls into the hands of the conglomerates we loose much of what makes the web so great.  Imagine what tv is and why we all moved to gaining content from the web.  Sure some of it is consumer generated and contains dubious facts, but what about some of our advertising?  Take action today!</p>
]]></content:encoded>
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	<item>
		<title>Comment on A one-case lighting kit ready for travel by David Tames</title>
		<link>http://kino-eye.com/2010/01/08/one-case-lighting-kit/comment-page-1/#comment-244568</link>
		<dc:creator>David Tames</dc:creator>
		<pubDate>Sun, 10 Jan 2010 14:09:31 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=735#comment-244568</guid>
		<description>Ozair, you can purchase these items from a wide range vendors, check in your local area first (e.g. in Boston we  have vendors like The Camera Company and Barbizon Light from which we can buy lighting gear) or for online purchasing, try B&amp;H Photo/Video in New York.</description>
		<content:encoded><![CDATA[<p>Ozair, you can purchase these items from a wide range vendors, check in your local area first (e.g. in Boston we  have vendors like The Camera Company and Barbizon Light from which we can buy lighting gear) or for online purchasing, try B&#038;H Photo/Video in New York.</p>
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	</item>
	<item>
		<title>Comment on A one-case lighting kit ready for travel by Ozair</title>
		<link>http://kino-eye.com/2010/01/08/one-case-lighting-kit/comment-page-1/#comment-244559</link>
		<dc:creator>Ozair</dc:creator>
		<pubDate>Sun, 10 Jan 2010 12:35:30 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=735#comment-244559</guid>
		<description>Thank you so much.. i was always lost with how many and what to use... but where can i get it from /// do email me the link please</description>
		<content:encoded><![CDATA[<p>Thank you so much.. i was always lost with how many and what to use&#8230; but where can i get it from /// do email me the link please</p>
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		<title>Comment on Notables of the Noughties: 35 documentary films, 2000-2009 by Critics Pick Favorite Docs of the Decade. What Were Your Favorites? &#124; Community Cinema</title>
		<link>http://kino-eye.com/2010/01/04/notables-of-the-noughties/comment-page-1/#comment-244477</link>
		<dc:creator>Critics Pick Favorite Docs of the Decade. What Were Your Favorites? &#124; Community Cinema</dc:creator>
		<pubDate>Sat, 09 Jan 2010 11:16:50 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=716#comment-244477</guid>
		<description>[...] See the complete list &gt;&gt;   Share and Enjoy: [...]</description>
		<content:encoded><![CDATA[<p>[...] See the complete list &gt;&gt;   Share and Enjoy: [...]</p>
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		<title>Comment on Comparison of four professional LED lighting instruments under $1K by A one-case lighting kit ready for travel : Kino-Eye.com</title>
		<link>http://kino-eye.com/2009/07/19/four-professional-led-lighting-instruments/comment-page-1/#comment-244429</link>
		<dc:creator>A one-case lighting kit ready for travel : Kino-Eye.com</dc:creator>
		<pubDate>Fri, 08 Jan 2010 18:05:11 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/2009/07/19/four-professional-led-lighting-instruments/#comment-244429</guid>
		<description>[...] (more affordable than the Z90, however, not as versatile as the Zylight, back in July I posted a comparison of four LED lights summarizing the results of my [...]</description>
		<content:encoded><![CDATA[<p>[...] (more affordable than the Z90, however, not as versatile as the Zylight, back in July I posted a comparison of four LED lights summarizing the results of my [...]</p>
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		<title>Comment on Notables of the Noughties: 35 documentary films, 2000-2009 by Critics Pick Favorite Docs of the Decade &#124; ITVS Beyond the Box Blog</title>
		<link>http://kino-eye.com/2010/01/04/notables-of-the-noughties/comment-page-1/#comment-244375</link>
		<dc:creator>Critics Pick Favorite Docs of the Decade &#124; ITVS Beyond the Box Blog</dc:creator>
		<pubDate>Thu, 07 Jan 2010 19:45:05 +0000</pubDate>
		<guid isPermaLink="false">http://kino-eye.com/?p=716#comment-244375</guid>
		<description>[...] See the complete list &gt;&gt;   Share this post: [...]</description>
		<content:encoded><![CDATA[<p>[...] See the complete list &gt;&gt;   Share this post: [...]</p>
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