”Open Plenary: New Forms New Opportunities,“ with panelists Sarah Wolozin (Director, Open Documentary Lab at MIT) and Natasha Deganello Giraudie (CEO, Micro-Documentaries in San Francisco), and David Tames (organizer and moderator), part of the Making Media Now 2013 conference on May 3, 2013 at Massachusetts College of Art and Design, presented by Filmmakers Collaborative.
Join on Friday, May 3rd at Massachusetts College of Art and Design for Making Media Now 2013, the annual must-attend conference for documentary media makers presented by Filmmakers Collaborative. I’m very excited about this year’s theme, Living the Connection Economy (exploring how creative and business connections offer media makers new models for storytelling, production, distribution and engagement) and I’m sure you will be too!
The tsunami of 2011 devastated the Tohoku region of Japan. Jake Price lived with the residents of Yuriage and out of his experience evolved UnseenSpring, a web documentary presenting an audiovisual collage documenting the endurance of the people in Yuriage as they rebuild their way of life, while making a renewed connection to their history and culture.
I’ve been contemplating the evolution of the documentary this summer and I was delighted to see that The MediaGuardian’s recent Sheffield Doc/Fest 2011 coverage includes ten articles providing a refreshing perspective on how documentary makers are finding new ways to reach their audience. These articles provide a view into a crystal ball in which we […]
Among my favorite books is Gene Youngblood’s Expanded Cinema, in spite of originally being published in 1970, it still offers a fresh perspective on the possibilities of new media art. Imagine a collection of essays that takes Youngblood’s book as a starting point. Well, here you have it! Fluid Screens, Expanded Cinema, edited by Janine […]
Daniel Downes suggests in Interactive Realism: The Poetics Of Cyberspace (McGill-Queen’s University Press, 2005) that it is people who construct social reality through their interactions, critiquing the “transformative turn” in media studies. Distinguishing clearly between the Internet (a communication system) and cyberspace (a socially constructed environment for human exchange), Downes provides what he refers to […]
In 1948 Alexandre Astruc, a filmmaker and theorist, suggested the notion of caméra-stylo (camera pen) in his essay, “The Birth of a New Avant-Garde: La Caméra-Stylo,” which appears in the book, The French New Wave: Critical Landmarks (Edited by Ginette Vincendeau and Peter Graham, British Film Institute, 2009). This essay has become a classic among […]