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	<title>Kino-Eye.com &#187; Music</title>
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		<title>The RIAA thinks you are a criminal</title>
		<link>http://kino-eye.com/2007/12/11/the-riaa-thinks-you-are-a-criminal/</link>
		<comments>http://kino-eye.com/2007/12/11/the-riaa-thinks-you-are-a-criminal/#comments</comments>
		<pubDate>Tue, 11 Dec 2007 16:51:34 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[New Media]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2007/12/11/the-riaa-thinks-you-are-a-criminal/</guid>
		<description><![CDATA[Have you ever made a copy of a CD you own onto your computer so you can listen to it in iTunes or your iPod? Well, going after Jammie Thomas
 was just the tip of the iceberg, now the RIAA claims that making a copy of a CD you own onto your computer is illegal. [...]]]></description>
			<content:encoded><![CDATA[<p>Have you ever made a copy of a CD you own onto your computer so you can listen to it in iTunes or your iPod? Well, <a href="http://arstechnica.com/news.ars/post/20071004-verdict-is-in.html" title="Link to page (opens in new window or tab)" target="_blank">going after Jammie Thomas</a><br />
 was just the tip of the iceberg, now <a href="http://recordingindustryvspeople.blogspot.com/2007/12/riaa-files-supplemental-brief-in.html" title="Link to page (opens in new window or tab)" target="_blank">the RIAA claims that making a copy of a CD you own onto your computer is illegal</a>. This goes too far. A ridiculous, desperate act. Now is the time to stop buying music from any of the record labels that make up the RIAA. There&#8217;s plenty of good independent music out there to keep you going while the RIAA sorts out its evil ways.</p>
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		<title>Moby makes free music available to independent filmmakers</title>
		<link>http://kino-eye.com/2007/11/28/moby-film-music/</link>
		<comments>http://kino-eye.com/2007/11/28/moby-film-music/#comments</comments>
		<pubDate>Wed, 28 Nov 2007 17:03:53 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Music]]></category>

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		<description><![CDATA[Moby has made a nice collection of tracks available at mobygratis.com which can be licensed without a fee for use by independent and non-profit filmmakers, film students, anyone who needs free music for their independent, non-profit film, video, or short. Take a listen, there are some really good tracks available on the site. The site [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.moby.com/">Moby</a> has made a nice collection of tracks available at <a href="http://mobygratis.com/film-music.html">mobygratis.com</a> which can be licensed without a fee for use by independent and non-profit filmmakers, film students, anyone who needs free music for their independent, non-profit film, video, or short. Take a listen, there are some really good tracks available on the site. The site allows you to listen to the tracks and if you choose to use a track, there&#8217;s an easy licensing process. </p>
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		<title>A soundtrack for the movie of your mind</title>
		<link>http://kino-eye.com/2007/08/30/hooks-to-the-left/</link>
		<comments>http://kino-eye.com/2007/08/30/hooks-to-the-left/#comments</comments>
		<pubDate>Thu, 30 Aug 2007 19:00:30 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Music]]></category>

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		<description><![CDATA[Last year filmmaker Todd Verow asked Colin Owens to write a film score to run 84 minutes concurrent with an experimental film made from 10 second clips of mobile phone video. The result of this work is Hooks to the Left, Colin&#8217;s most emotional, complex, and provocative music to date.
In this new collection you will [...]]]></description>
			<content:encoded><![CDATA[<p>Last year filmmaker <a href="http://www.bangorfilms.com/opinion.html">Todd Verow</a> asked <a href="http://www.aboutfaceaudio.com/">Colin Owens</a> to write a film score to run 84 minutes concurrent with an experimental film made from 10 second clips of mobile phone video. The result of this work is <a href="http://cdbaby.com/cd/colinowens5">Hooks to the Left</a>, Colin&#8217;s most emotional, complex, and provocative music to date.<br />
<span id="more-272"></span>In this new collection you will find themes that range from deep bass electronic and afro-jazz, to experimental and break beat.  The new album is now available from <a href="http://cdbaby.com/cd/colinowens5">CDBaby</a>,   <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=261869123 ">iTunes</a> or  <a href="http://www.tradebit.com/filedetail.php/2068612">tradebit</a>. The instrumentation on the album includes work by Colin&#8217;s father John Owens, flutist Frank Wharton, Violist Nathan Felde, drummer Mike Feld (no relation) and a full-on sampled chorus of Colin&#8217;s voice and lots of Fender Rhodes. If you like his new album, you should also check out his earlier works like <a href="http://cdbaby.com/cd/colinowens">Spaghetti Western</a>, <a href="http://cdbaby.com/cd/colinowens3">The Daydream</a> (my favorite), and <a href="http://cdbaby.com/cd/colinowens4">20 Minutes Into the Future</a>.  Colin recently composed the soundtrack for my new documentary, <a href="http://kino-eye.com/smile/">Smile Boston Project</a>, and I&#8217;m very pleased with the work he did on the film, I think he&#8217;s an amazing talent who&#8217;s been in the shadows for too long.</p>
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