A one-case lighting kit ready for travel

I’m often asked by students, “what’s a good light kit for starting out” and I find it a very hard question to answer, because it really depends on what you want to do. There really is no such thing as a one-size-fits-all lighting kit. I find that most of the commercially available light kits I’ve seen offer too many watts and not enough versatility. After years of creating a variety of make-shift kits from my lighting collection for particular shoots, I’ve settled on one configuration when I’m “traveling light,” and I think the best approach is to put together a custom kit that meets your personal lighting needs.

Drawing from my collection of lighting instruments, I put together a subset for doing interviews on my current documentary project, which has involved air travel to do interviews, so I’ve thought about a bare essentials kit that will fit into a single, manageable case on wheels that’s not too big, but offers enough versatility for doing nicely (albeit simply) lit interviews. This kit is an attempt to balance capability, cost, weight, and size with the requirement that the case could also fit in the hatchback of my car along with tripod, sound kit, and camera gear so I can park the car without any visible evidence of gear in the hatch.All together the kit draws 1,300 Watts, which in most cases works fine on a single household circuit without tripping a breaker (unless there’s already other high-current devices in use). Here are the components in the kit:

• Kata OC-88 GDC Lighting Case with Insertrolley
• Lowel LC-55 Rifa-EX soft light (lightweight and compact, most often used as a key light, sometimes used as fill with 1/2 CTB or CTB when using window light as key)
• Lowel 40 degree Egg Crate for Rifa (reduces spill)
• Lowel Rifa Balance Bar (helps to center the weight of the Rifa light on the stand, increasing stability)



• Arri 300W Fresnel with barn doors and scrim set (Fresnels offer crisp, easy to control light with the quality of sunlight, used as a back light or kicker)
• Lowel Tota-Light with umbrella (often used as a background light, for overall fill, or as a fill light if needed)
• Flexfill 38″ Silver/White reflector (often used as a fill light bounce attached to a microphone stand)
• Three Avenger A625B Light Stands, these extend to 7.8′ but are a compact 26″ when closed
• Hypoallergenic transparent powder base and make-up pads (for reducing shine on the subject’s face)
• Spare lamps for all three units
• Two extension cords and cube taps
• Electric circuit tester
• Gloves
• Small tool kit including a Leatherman
• Flashlight
• Expendables (gaffer tape, C-47s, black wrap, trick line, and assorted gels and diffusion including half CTB and CTB sized with holes to fit the Rifa light).

This kit has worked out well over the course of over a dozen interviews since I put it together. It originally started out in a larger Pelican rolling case with additional instruments, but that quickly got the nickname “the beast” and I eventually trimmed down to the configuration above.
The Rifa LC-55 (500W) produces just enough light for most situations, and it’s the right choice for a lightweight and compact kit, however, if I could spare the space and weight, I’d rather be using a Kino Flo Diva-Lite. I’m considering adding to the kit (I still have a little room left in the case) one or two LED lights. These offer the advantage of small size and practical battery operation. I’m considering the Zylight Z90 (total creative control in terms of color and wireless control, however, a tad pricy) and the Lowel Blender (more affordable than the Z90, however, not as versatile as the Zylight). Back in July, I posted a comparison of four LED lights summarizing the results of my research.

Special thanks to Joseph Ingoldsby for asking the question that resulted in this post.