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	<title>Comments on: Slava Rubin of IndieGoGo at New Media Expo</title>
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		<title>By: David Tames</title>
		<link>http://kino-eye.com/2008/08/17/slava-rubin-indiegogo/comment-page-1/#comment-178237</link>
		<dc:creator>David Tames</dc:creator>
		<pubDate>Mon, 18 Aug 2008 21:46:40 +0000</pubDate>
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		<description>George, I appreciate your comment. I hope to do more interviews as time goes on.

I was shooting in ultra-minimal mode: using my tiny Canon TX1 to record the video and my Microtrack w/ an Electro-Voice RE50 microphone to record the audio (double-system sound). I then synced up the video and the audio in Final Cut Pro. Unlike most DV camcorders which are crystal sync, the TX1 drifts so I had to fix the sync at every cut. 

But using a super tiny camera, while it makes for very grainy/noisy video, allows for spontaneous quick-and-dirty interviews like this since I can carry it wherever I go without feeling encumbered. Of course, when I put on my documentary filmmaker&#039;s hat and am able to lug around more gear, I prefer to shoot interviews with a &quot;real&quot; camcorder.

And to be complete w/ my answer, in the spirit of quick and dirty, I processed the dialog track with Levelator which is a wonderful tool that saves time by not having to do a mix on the dialog  (riding levels, adding just the right level of compression, etc.) instead with drag-and-drop simplicity it evens out the dialog levels and adds audio compression to the dialog.</description>
		<content:encoded><![CDATA[<p>George, I appreciate your comment. I hope to do more interviews as time goes on.</p>
<p>I was shooting in ultra-minimal mode: using my tiny Canon TX1 to record the video and my Microtrack w/ an Electro-Voice RE50 microphone to record the audio (double-system sound). I then synced up the video and the audio in Final Cut Pro. Unlike most DV camcorders which are crystal sync, the TX1 drifts so I had to fix the sync at every cut. </p>
<p>But using a super tiny camera, while it makes for very grainy/noisy video, allows for spontaneous quick-and-dirty interviews like this since I can carry it wherever I go without feeling encumbered. Of course, when I put on my documentary filmmaker&#8217;s hat and am able to lug around more gear, I prefer to shoot interviews with a &#8220;real&#8221; camcorder.</p>
<p>And to be complete w/ my answer, in the spirit of quick and dirty, I processed the dialog track with Levelator which is a wonderful tool that saves time by not having to do a mix on the dialog  (riding levels, adding just the right level of compression, etc.) instead with drag-and-drop simplicity it evens out the dialog levels and adds audio compression to the dialog.</p>
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		<title>By: George Araneo</title>
		<link>http://kino-eye.com/2008/08/17/slava-rubin-indiegogo/comment-page-1/#comment-178121</link>
		<dc:creator>George Araneo</dc:creator>
		<pubDate>Mon, 18 Aug 2008 15:35:02 +0000</pubDate>
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		<description>Thank you David for all of this excellent content. Kino-eye.com is becoming my &quot;go to&quot; site for information about the industry.

Just curious, what kind of camera did you use to shoot the interview with Slava?

George A</description>
		<content:encoded><![CDATA[<p>Thank you David for all of this excellent content. Kino-eye.com is becoming my &#8220;go to&#8221; site for information about the industry.</p>
<p>Just curious, what kind of camera did you use to shoot the interview with Slava?</p>
<p>George A</p>
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